Since all I really needed to do was establish the shadows, I didn’t fuss over this too much. I also attempted to dry brush some mid-tones into the adjacent areas, but the ink dried too quickly. I went over the darker shadows several times to get as solid a value as possible. I used a pencil brush frequently to sweep the color crumbs off the paper.) More ink work, for the darkest shadowsįor my final ink application, I painted shadows on the horse. When filling in the background they weren’t an issue, but if they got smeared across the horse, they would have caused problems. (NOTE: Heavy colored pencil pressure creates color crumbs. In this round of color application, I used the heaviest possible pressure, burnishing one color over the next to build depth and saturation. So I began a second round of the same colors. I wanted to see how saturated a color field I could accomplish without solvents of any kind. I considered using rubbing alcohol for a better, more complete blend, but decided to skip that for the time being. Third, I added Sienna Brown along the mane to create subtle variation, then burnished the background to blend color as evenly as possible. Second, I applied Black in the same manner but with generally heavier pressure-6 to 8 in most places and with burnishing pressure in some areas. Some areas received multiple layers, others received only one. I started in the lower left hand corner, outlining the horse, then filled the space with a variety of strokes and pressure that varied from 3 or 4 to 8 or 9. I began colored pencil work with Indigo Blue and medium pressure (4 to 6 on the pressure scale). The ink dried completely between each of the layers and overnight after the final layer. For the second and third layers, I switched to a sable angle shader.
I used a sable round brush for the first layer of ink, which involved more detail work (ears and nostrils). I started out with a detailed drawing, and then brushed India ink over the background, inside the horse’s ears and nostrils, and on the shadowed side of the face and neck. The support is vellum finish Rising Stonehenge 250 GSM paper in white. The project is a small format (6×8 inch) drawing of a quarter horse in a vignette portrait style. This month, I’ll be sharing a two-part demonstration of colored pencil over India ink. Pdf=Indian_Ink.pdf Material Safety Data Sheet.youtube=4Jv8oIsV-Nw 2.4684 5 sizes available.By Carrie Lewis in Art Tutorials > Drawing Tips It is suitable for producing a large variety of artworks and is widely used by designers, calligraphers, artists, and illustrators.This ink is not suitable for use with fountain pens. Suitable for use with a brush, ink pen or airbrush. Jackson's Indian Ink may be diluted with water to achieve washes and subtle tones, making it ideal for line and wash pieces.Jackson’s Indian Ink is permanent with an exceptional deep black colour. When dry the ink forms a water-resistant film, protecting your artworks from being erased. Jackson's Indian Ink is made in the UK and formulated with a base of high-quality shellac medium and purified water, providing a clean, smooth and steady flow.
79592 Jackson's : Indian Ink 2.4684 GBP InStock /Colour/Ink/Indian Ink /Brands/Jackson's/Jackson's : Drawing Ink & Pens /Gifts/Sketching and Illustration Gifts/Small Gifts 5 sizes available.
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